Tag Archives: Glee Club

‘Colgate Thirteen’ is organized (p. 306)

of the English Department and coach. Despite the limited facilities of the Little Theater in the Administration Building and later in Lawrence Hall, Masque and Triangle, the dramatic society, staged some notable productions under his direction. The actual performances were usually given in the village “opera house” or movie theater.

Under the leadership of Professor Hoerrner and, after his retirement in 1934, Professor Thomas Roberts, the Glee Club received wide support and held to its customary high standards. Its quartet made the first commercial recording of Colgate songs in 1926 and in 1929 for the first time the Club gave a joint concert with a girls’ chorus, the Skidmore Glee Club. A smaller and more informal singing group, the Colgate Thirteen, was organized in July, 1942, “to spread Colgate spirit through song.” Beta Theta Pi inaugurated its annual intrafraternity song contest in the spring of 1930. The first of a series of student musical comedies was produced in 1935.

The highlight of the debating program was probably the team’s successful trip to English universities in 1924. Cambridge and Oxford teams visited the campus on their American trips. Able students and effective coaches-Carl A. Kallgren, ’17, Ralph E. Kharas, Lawrence A. Appley, and Jasper (Jack) V. Garland-combined to make excellent records.

The YMCA, renamed successively Colgate University Christian Union and Colgate Christian Association, played an active part in student religious life, especially under the sponsorship of Dr. Alton and Secretaries Shotts and Gregory. After the latter’s resignation in 1933 students with some faculty assistance took greater responsibilities. The Association arranged in 1936 for the first of the all-campus Mother’s Day weekend programs which Beta Theta Pi had inaugurated in 1933.

The two honorary senior societies, Skull and Scroll and Gorgon’s Head, in 1925 vainly attempted to merge as the Mercurius Society in an effort to eliminate campus politics in selecting members. Seven years later, however, they succeeded in consolidating as Konosioni which emphasized service to Colgate as well as recognition for athletic and other attainments. Acknowledgment of freshman and sophomore campus leaders came with the formation of the Maroon Key Club, a junior honorary society, in 1931.

Fraternity life was in its heyday in the 1920’s and ’30’s. Two were added to those already on campus-Theta Pi Delta, a local group

p. 275 – The Bryan Period, 1908-1922

12:00 evenings. Among the “Y’s” other activities were: a reception for freshmen which was primarily for orientation purposes, publication of the Hand Book which had expanded in size and content by 1922, and a student employment service for those who needed odd jobs.

Professor Hoerrner’s vigorous leadership gave new life to musical activities. The Glee Club flourished, an orchestra was begun, and occasionally in the fall, a band was organized, primarily to play at the football games. Informal singing of college songs continued to have a widespread appeal. New ones were written and Songs of Colgate, a 30-page compilation by Robert G. Ingraham, ’13, was published in 1912 and a revised edition came out in 1916.

Dramatics, too, was a popular activity. Members of the former Dramatic Club reorganized in 1914 as the Masque and Triangle Club with Anthony F. Blanks, Professor of Public Speaking, as their advisor and coach. The old Academy chapel in the Administration Building served as their “Little Theater” and nearly 100 tried out for their first production, She Stoops to Conquer. The organization even induced four professors to give them lectures on English, French, Latin and Greek drama. By the 1920’s Masque and Triangle was sponsoring a playwriting contest and producing some of the prize-winning entries.

Colgate debaters enjoyed a heyday during the Bryan period when interest in public speaking was especially keen. Enthusiastic student and faculty support comparable to that for athletic contests, the many able undergraduates who competed with each other to make the

p. 210 – Student Life, 1869-1890

Hamilton Female Seminary c.1890, Hamilton History 9a, p210

presence of young-lady guests and the social activities which followed the formal program gave the occasion some aspects of a modern Winter Party. Students joined the community in observing Decoration or Memorial Day in the 1870’s. Proceeding in a body to the University and village cemeteries, they put flowers on the soldiers’ graves and joined the village people in a program of addresses and music appropriate to the occasion.

The glee club of the 1860’s seems not to have lasted. In 1882 it was revived and gained a permanent status in 1885 when Professor McGregory, who was familiar with the glee club at his Alma Mater, Amherst, gave encouragement and instruction. Thereafter, it became a regular feature of campus life. Students also sang in a well-received non-University production of Pinafore in 1880 and demonstrated some talent in providing music and words for several songs in the two editions of Carmina Collegensis (1868, 1876) and the American College Song Book (1882). In honor of Madison  University, the music instructor at the Female Seminary, J. R. Muth, in 1874 composed and published a march for 32 instruments.

p. 169 – Recovery and expansion, 1850-1869

his native Sweden. They adopted as their uniforms gray jackets trimmed with red, gray caps, and black trousers with red tape along the outside seams. The 0fficers had somewhat finer outfits of gray with generously-padded long-tailed coats. Carrying Springfield muskets supplied by the State Militia, the company drilled through the summer afternoons and evenings. By invitation of a friendly farmer they went to his meadows a few miles from the village on a three-or four-day bivouac. Its most outstanding features were a sham battle and the great quantities of good food contributed by neighboring families.

Town and gown were greatly saddened in the spring of 1862 by the news of the first casualties, Lieutenant William McIntyre and Captain Arthur L. Brooks, son of the Baptist pastor, both favorites with their fellows in the Class of 1861. Another solemn reminder of war came at commencement 1862, when one of the Trustees presented a sword to Charles W. Underhill as he left the platform after delivering his graduation oration. Underhill, then a lieutenant, had assisted in raising the 114th New York Infantry with which he was to serve throughout the war.

Students organized a second company for military drill in 1863. It was in charge of Daniel W. Skinner who had rejoined the Class of 1865 after his discharge from the army because of wounds received at Fair Oaks. His experiences must have given the same realistic quality to his instruction which they did in 1864 to his Aeonian Society oration, “The Value of Our National Struggle,” a “sterling production” unmarred by “eagle flights of oratory.”

Other campus activities during the war years included frequent Glee Club appearances at patriotic meetings at which they gave selections from their songbook The War-Whoop. Students followed the course of the battles as they avidly read the daily papers and then readjusted the colored pins of the war maps which were conspicuous in dormitory rooms. Union victories they duly celebrated by firing a cannon placed in front of East and West Halls. Though the faculty prohibited salutes during recitation hours, “somehow the patriotic old gun would go off of its own accord, in the middle of the morning, when a particularly good piece of news came by telegraph.” A poll conducted on the campus in October 1864, showed that students and faculty overwhelmingly favored Lincoln’s re-election by a vote of 77 to 12; of the McClellan supporters, seven were in the College and five in